Jumat, 30 Mei 2014

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  • Sales Rank: #4092776 in Books
  • Published on: 1900
  • Binding: Paperback

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Minggu, 25 Mei 2014

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Emphasizes the design, control and functioning of various unit operations - offering shortcut methods of calculation along with computer and nomographic solution techniques. Provides practical sections on conversion to and from SI units and cost indexes for quick updating of all cost information.;This book is designed for mechanical, chemical, process design, project, and materials engineers and continuing-education courses in these disciplines.

  • Sales Rank: #16173102 in Books
  • Published on: 1992-09-24
  • Original language: English
  • Number of items: 2
  • Dimensions: 3.55" h x 7.31" w x 10.24" l, 7.50 pounds
  • Binding: Hardcover
  • 1759 pages

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Minggu, 18 Mei 2014

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  • Published on: 1959
  • Binding: Paperback

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Sabtu, 17 Mei 2014

[K794.Ebook] PDF Download Startup Rising: The Entrepreneurial Revolution Remaking the Middle East, by Christopher M. Schroeder

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Despite the world's elation at the Arab Spring, shockingly little has changed politically in the Middle East; even frontliners Egypt and Tunisia continue to suffer repression, fixed elections, and bombings, while Syria descends into civil war. But in the midst of it all, a quieter revolution has begun to emerge, one that might ultimately do more to change the face of the region: entrepreneurship. As a seasoned angel investor in emerging markets, Christopher M. Schroeder was curious but skeptical about the future of investing in the Arab world. Travelling to Dubai, Cairo, Amman, Beirut, Istanbul, and even Damascus, he saw thousands of talented, successful, and intrepid entrepreneurs, all willing to face cultural, legal, and societal impediments inherent to their worlds. Equally important, he saw major private equity firms, venture capitalists, and tech companies like Google, Intel, Cisco, Yahoo, LinkedIn, and PayPal making significant bets, despite the uncertainty in the region. With Startup Rising, he marries his own observations with the predictions of these tech giants to offer a surprising and timely look at the second stealth revolution in the Middle East-one that promises to reinvent it as a center of innovation and progress.

  • Sales Rank: #784498 in Books
  • Brand: Brand: Palgrave Macmillan
  • Published on: 2013-08-13
  • Released on: 2013-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.01" w x 6.43" l, 1.01 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Review

“One of the Best Business Books on Globablization of 2013” ―Strategy+Business

“[Schroeder] paints a remarkable picture of the entrepreneurial shift going on in Dubai, Egypt, Jordan, Lebanon, Saudi Arabia, and other regions...illuminating.” ―Publishers Weekly

“The narrative really comes alive when the author chronicles the activities of the tech-savvy young Eygptians, Jordanians and Lebanese who are beginning to create new kinds of hope for their countries... his accounts of Jordan, where youth programs are providing opportunities to explore notions of self-determination while learning about entrepreneurship, are particularly fascinating. A lively introduction to a new generation's efforts to shape a future free of outdated notions of entitlement.” ―Kirkus

“Provides a refreshing break from the hackneyed analyses of the region that reduce its people to cultural cliches while ignoring the other things that motivate young Arabs (like people everywhere...)” ―Financial Times

“What Schroeder found will startle even the most jaded observer.” ―The Washington Post

“Entrepreneurship isn't about just starting a business--it's a way of looking at the world. In this terrific book, Schroeder profiles dozens of innovators in the Middle East who are world class exemplars of this way of thinking. They're taking control of their lives, starting amazing businesses, and changing the world. There's no better guide to the Middle East's own Silicon Valley than Christopher M. Schroeder. Highly recommended.” ―Reid Hoffman, co-founder/chairman of LinkedIn and co-author of the #1 NYT bestseller The Start-up of You

“Here's a book that makes you think beyond the gloomy headlines about the Middle East--and see how smart men and women are building the foundations of a prosperous future. In Startup Rising, Christopher M. Schroeder takes readers on a guided tour of the entrepreneurial movement that has gone almost unnoticed as the Arab Spring shatters the old political order. By the end of the book you'll be rooting for these young business leaders and gutsy innovators to build the Arab 21st century.” ―David Ignatius, columnist, The Washington Post

“Christopher M. Schroeder has a message we should all hear loud and clear: To hell with pessimism about the Middle East. In Startup Rising, Chris's more than one dozen trips across the Arab world are woven together into a deeply personal and detail filled narrative of how technology can transform social and political orders from the ground up. He convincingly shows Arabs rich and poor seizing the moment, and converting centuries of entrepreneurial spirit into disruptive and positive energy. The startups rising in the wake of the Arab Spring will ensure that the region isn't left behind.” ―Parag Khanna, international bestselling author of The Second World, How to Run the World, and Hybrid Reality

“In this rich and incisive book Christopher Schroeder tells a fascinating tale about another Middle East, where new ideas, bustling startups, and promising ventures, as opposed to politics and violence, are shaping the future. A rare and eye-opening first hand account that provides a powerful explanation for why the Arab Spring happened, and why its future may yet be brighter than headline news suggest. This book is a must read for anyone interested in the Middle East or how entrepreneurship and technology startups take flight.” ―Vali Nasr, author of Forces of Fortune and The Dispensable Nation

“Startup Rising is one of the first to cover this very important topic: The young entrepreneurs who are the major driving force in the future growth and development of the Arab World.” ―Wael Ghonim, Founder and Chairman, Nabadat Foundation, and author of Revolution 2.0

“Startup Rising is contrarian, as are many great entrepreneurs: His stories of people, innovation, and ideas in the Middle East are cautiously hopeful--a contrast to the grim news stories. Full of policy and investment insight, this is a bottom-up look at the new generation of tech entrepreneurs of the Middle East that are fast becoming their countries' greatest resource.” ―Robert B. Zoellick, Former President of the World Bank Group, US Trade Representative, and Deputy Secretary of State

“This is one of the rare books that will change how you see the world. Christopher M. Schroeder brings to life the emerging Middle East entrepreneurial ecosystems, providing a powerful understanding of entrepreneurship anywhere in the world and specifically of the Middle East's emerging generation of questioning risk-takers.” ―Marvin Ammori, Bernard L. Schwartz Fellow, The New America Foundation

“Startup Rising shatters our stereotypes of the Middle East. You can just feel the dynamism bubbling up from below and sense the immense possibilities for the future. Schroeder's ability to tell this fascinating story of the breadth and depth of entrepreneurship in the region is stunning.” ―James Goldgeier, Dean, School of International Service, American University

“Startup Rising powerfully articulates what we instinctively know to be true--each country, region, and society has the will and talent to determine its own future. Schroeder illuminates a Middle East poised for entrepreneurial growth, fueled by innovation, and ready to turn opportunity into impact and collective progress for both women and men.” ―Alyse Nelson, President & CEO, Vital Voices Global Partnership

“Christopher M. Schroeder identifies the trends reshaping the Middle East from the bottom-up. He talks to the entrepreneurs at the cutting edge to reveal the revolution the media has missed--whether in mobile technologies, consumer products, or, yes, women eager to make their mark. This book is essential for anyone looking to understand--or invest in--the new Middle East.” ―Karen Kornbluh, former US Ambassador to the Organization for Economic Cooperation and Development

“Interest in entrepreneurship in the Middle East has never been greater, which reflects the critical role that new ventures can play in catalyzing economic change in the region. This book provides a lively look at the individuals and institutions behind these exciting and important developments.” ―Josh Lerner, Harvard Business School and author of The Architecture of Innovation

“Christopher M. Schroeder has done a service to the Middle East by highlighting the extraordinary energy and potential of entrepreneurs in the region. This area will be a hotbed of new ideas over the next 20 years creating hundreds of thousands of jobs.” ―Kevin Ryan, chairman and founder, Gilt

“This powerful and essential book will open your eyes to a new world of opportunity for people in the Middle East and emerging markets all over the world. Through vivid introductions to young entrepreneurs in the region and a compelling analysis of macro technology and economic trends, Startup Rising brilliantly demonstrates that peace and prosperity is attainable for the region.” ―Julius Genachowski, Chairman of United States Federal Communications Commission, 2009-2013

“Important reading for anyone wishing to understand the promise and challenges of technology and entrepreneurial activity in the Middle East. Christopher Schroeder's gifted storytelling brings us close to talented entrepreneurs who are breaking through, providing a fresh narrative for the region and promise for a better world.” ―Premal Shah, Co-Founder & President, Kiva

“A quick, fun read… he reveals the opinions of several Arab entrepreneurs and investors who he's already introduced in contrast with the subtle biases of colleagues in the U.S., Schroeder deftly – but unapologetically – invites a cross-cultural dialogue.” ―Wamda

About the Author
Christopher M. Schroeder is a U.S.-based entrepreneur and venture investor. In 2010, he wrote an op-ed for The Washington Post about start-ups in Dubai and the Middle East, and was subsequently invited by Secretary of State Hillary Clinton's office on entrepreneurship to judge a start-up competition in Cairo one week before Tahrir Square. He is on the boards of advisors of the American University of Cairo School of Business and regional start-up resources Wamda and Oasis500. He lives in Washington, DC.

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16 of 17 people found the following review helpful.
A Primer On The Middle East Startup Scene
By Michael Armao
Christopher Schroeder has written a very good primer to understanding the startup scene within the Middle East. The key to appreciating this book is realizing that the author is not trying to boil the proverbial ocean. He limits the scope to a few key countries within the region and graciously acknowledges other works for coverage not included within Startup Rising, e.g., the Israeli technology scene. Scope issues aside, Mr. Schroeder does cover a number of areas that any investor or business contemplating entry into the region should note. Too many to list within this review, I found some of the most thought provoking conclusions to be: the pressing need for entrepreneurs to supply job opportunities as traditional industry falters; the increase in online spending--despite historical aversion to credit card usage; the growing opportunities in mobile technology, solar energy and social networks; and the concept of "disconnected development" where the impact of individual projects, in aggregate, lead to transformation of the technology ecosystem.

Of course anyone looking at the region cannot ignore the geopolitical instability, as the recent ouster of the Morsi government in Egypt exemplifies. In response, Mr. Schroeder astutely points out that through the focus on technology, entrepreneurs and investors in the region can withstand any current and future upheaval. The anecdotal examples of perseverance given within the book are truly inspiring.

To close, I would encourage anyone who has an interest in emerging and frontier markets to read Startup Rising. It will force you to rethink your stance and enable you to begin understanding opportunities in the Middle East.

Michael Armao
Washington, DC
13 August 2013

8 of 8 people found the following review helpful.
A Spark of Optimism
By Tamara Belt
At a time when the headlines from the Middle East never seem to get better, Startup Rising is a compelling antidote.

The book offers a very different view of what is happening in the Middle East - one not covered by the mainstream media. Schroeder paints a the picture via compelling stories of entrepreneurs throughout the region (with a focus on Arab countries, rather than Israel). Stories of entrepreneurial perseverance are always compelling - even more so here given the macro and micro challenges these entrepreneurs face. The book is a great read from Marc Andreessen's provocative foreword to Schroeder's compelling thesis -- "its not a question of if, but when."

Unlike the litany of non-fiction books that I have recently bought, but not read, Startup Rising pulled me in. Though Schroeder himself is an entrepreneur, not a writer, it's highly readable, and I flew right through it. This is a great read for entrepreneurs, people interested the role of technology in a rapidly globalizing world, and anyone looking for a sliver of optimism about the Middle East.

6 of 6 people found the following review helpful.
A great read at a very important time in our history
By Mr. Dany Farha
As someone who has had the privilege of being a part of the internet ecosystem in the Middle East since the year 2000, I learned a lot and found this book to be an extremely useful journey of stepping back, taking stock and reflecting on the past and future state of our regions start-ups and the key forces at play, shaping the future of innovation and entrepreneurship.

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Kamis, 15 Mei 2014

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  • Sales Rank: #3669512 in Books
  • Published on: 1994
  • Binding: Paperback

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Senin, 12 Mei 2014

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The Man in the White Suit, by Ben Collins



The Man in the White Suit, by Ben Collins

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The Man in the White Suit, by Ben Collins

The Stig gets his kit off and reveals how he came to be Top Gear's iconic racing driver and so much more - including what it's like to thrash an Aston Martin DBS, train for the Army and face the terror of Jeremy Clarkson's underwear…

When the Black Stig disappeared off the end of an aircraft carrier in 2003, we were introduced to The White Stig. Faster. Stranger. Harder to keep clean. And ever since, millions have wondered – who is The Man in the White Suit? They're about to find out.

Ben Collins caught the car the bug young, kicking his dad's boss in the balls for not giving him a company Jag. This was the attitude that eventually led him to spend seven years sharing a cabin with Jeremy Clarkson's underwear, James May's PhD thesis and Richard Hammond's hairspray. Because he is The Stig.

Now he tells all about life inside the iconic white helmet. What it's like to guide a blind ex-RAF officer around the Top Gear track; pit a drug dealer's Mitsubishi Evo against a Trojan tank; set a Vauxhall Monara against Chloe the dancing Ninja; and race double-decker Routemasters against bendy buses. Not to mention all the inside stuff on how the show's amazing driving sequences are made.

He also reveals how he got to be there – setting
a Dunsfold lap time faster than Michael Schumacher's. Breaking records with the best of the best at Daytona and Le Mans.

It's an awesome story, told by an amazing man.

  • Sales Rank: #229950 in Books
  • Published on: 2011-04-28
  • Released on: 2011-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.20" h x 5.00" w x 7.60" l, .66 pounds
  • Binding: Paperback
  • 352 pages

Review
"Car culture's Deep Throat has come forward."  —New York Times blog

"An interesting look into the life of a man that landed in an amazing job on TopGear UK, and a telling look at the life of TG behind the scenes."  —The Protagonist blog

About the Author

Ben Collins was born in Bristol before moving to California, where he competed as a junior Olympic standard swimmer. When a career as a fighter pilot was cut short by a visit to the optician, Ben switched to cars. He won races in every category from Formula Three to Le Mans Sportscars and GT, and captured the European ASCAR title. When a lack of funding curtailed his racing career, Ben joined the Army Reserves. He also worked as a Hollywood stuntman. In 2003 he became the anonymous fourth presenter, known as The Stig, of Top Gear, coaching celebrities, organising car chases and testing hundreds of priceless cars. Eight years and 13 series on, his alter ego is recognised by millions around the world. Ben loves in the West country with his wife Georgie and 3 children.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great Autobiography
By E. White
This is a good book if you're a Top Gear fan or a fan of racing memoirs. Collins' writes with a nice humor and his life is interesting enough to merit a book. The only issue I have is that every other chapter skipped back and forth between his time as The Stig with Top Gear and his more normal life of his childhood, being in the army, his family, and his racing and stunt driving career. This isn't enough to dislike the book, in my opinion. I have two degrees in English and I thought it was better written than a lot of other things I've read recently, but perhaps I'm biased based on how much I love Top Gear. Like I said, I enjoyed the humor of his stories and his writing "voice." I read where some people thought his voice was a bit egotistical or cocky... he's a racing driver, and from what I've seen of racing drivers, he's on the humble side, so this aspect did not bother me. If you like Top Gear, you'll probably like this book as well. It gives an interesting insight and even if you're not a fan of Collins, it's fun to play Devil's Advocate either way!

1 of 1 people found the following review helpful.
Some interesting info for Top Gear fans, but uneven writing and lack of focus limit its appeal
By RandomReader123
Mr. Collins provides a good amount of behind-the-scenes information on the making of Top Gear, and a bit of info on the major personalities, which is likely what most people will buy this book for. However, a number of factors prevent it from being a great read:

- While more-or-less an autobiography, we don't actually learn that much about what makes Mr. Collins tick. Quite a few chapters are devoted to him pursuing an Army career as a backup plan in case race driving doesn't work out, and he states several times how much of an effect this had on his psyche and how much he values it. However, when he decides to abandon the Army direction, he does so almost in passing, which seems odd for something he claims so much connection to.

- The amount of detail in some instances is remarkably high for events that took place years ago, such as his audition laps in a Ford around the Top Gear test track. I suppose it's possible the author keeps a meticulous diary, but it felt a bit artificial.

- The book needed more help from an editor (a common problem these days, alas.) Some judicious direction on focusing the narrative, and some wordsmithing on awkward passages, would have gone a long way here.

0 of 0 people found the following review helpful.
The making of the Stig
By timeout
The Collins book is surprisingly entertaining, as it details not only the role of the Stig, but the life of a man who came late to racing and struggled to make a career of it in a field that does not always reward the gifted, which he truly is. Collins appraises himself honestly and we learn that his television work, movie stunts, military service etc. are all pursued in aid of supporting himself while waiting for his next opportunity to race. The Top Gear sequences are very entertaining and, sometimes, laugh-out-loud funny. He goes to great lengths to credit the creativity of the staff, camera men and presenters, who did so much to create this phenomenal series. HIs struggles to achieve a place in the elite military unit he has chosen are truly epic and described in gritty detail, but again, with no self-pity. The man's relationship with his father is another welcome human touch, which will have many nodding their heads in recognition of the complexities of the dealings of men in families. I enjoyed this book and recommend it.

See all 207 customer reviews...

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Minggu, 11 Mei 2014

[K304.Ebook] PDF Ebook Into the Water: A Novel, by Paula Hawkins

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Into the Water: A Novel, by Paula Hawkins

Into the Water: A Novel, by Paula Hawkins



Into the Water: A Novel, by Paula Hawkins

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Into the Water: A Novel, by Paula Hawkins

The author of the #1 New York Times bestseller and global phenomenon The Girl on the Train returns with Into the Water, her addictive new novel of psychological suspense.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
 
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
 
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.
 
Beware a calm surface—you never know what lies beneath.


Cast of Narrators:
Rachel Bavidge, as third person narrator/Nel’s voice
Sophie Aldred, as Jules
Daniel Weyman, as Sean & Josh
Imogen Church, as Erin Morgan
Laura Aikman, as Lena

  • Sales Rank: #12863 in Books
  • Brand: Penguin Audio
  • Published on: 2017-05-02
  • Released on: 2017-05-02
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.80" h x 1.10" w x 5.10" l, 1.00 pounds
  • Running time: 690 minutes
  • Binding: Audio CD
Features
  • Into the Water [Audio Book CD]

Review
“A captivating contemporary whodunit… suspense churns and the plot keeps you guessing.”—People Magazine 

“Highly suspenseful… all these intrigues are teased out with impressive skill by Ms. Hawkins, who tells a complex narrative... in a chronicle whose final pages yield startling revelations." —The Wall Street Journal

"[A] succulent new mystery… Hawkins, influenced by Hitchcock, has a cinematic eye and an ear for eerie, evocative language… So do dive in. The payoff is a socko ending. And a noirish beach read that might make you think twice about dipping a toe in those dark, chilly waters.”—USA Today

“Addicting… this novel has a little something for anyone looking for their next binge-read.” —Marie Claire

"Mother's Day is coming up. This one's perfect for the mom who always has shelf space for thrillers." —theSkimm

“Hawkins is at the forefront of a group of female authors – think Gillian Flynn and Megan Abbott – who have reinvigorated the literary suspense novel by tapping a rich vein of psychological menace and social unease… there’s a certain solace to a dark escape, in the promise of submerged truths coming to light.” —Vogue

“A unputdownable, smart, thoughtful thriller.”—PopSugar

“An intriguing pop-feminist tale of small-town hypocrisy, sexual politics, and wrongs that won’t rinse clean.”—Entertainment Weekly

"Contains just as many hair-raising plot twists as [The Girl on the Train]. This time, Hawkins’s absorbing and chilling cast of mothers, daughters, and sisters grapples with the implications of memory, exploring what happens when our conflicting recollections of personal histories collide to destroy the present.” —Harper's Bazaar

“Hawkins weaves another wonderfully twisted mystery.”—Coastal Living

“Page-turner… a thriller that intersects complicated cultural narratives of adolescent sexuality, the often fraught relationships between daughters, mothers and sisters, and the relationship between ‘good men’ and ‘troublesome women.’”—Jezebel

“Hawkins has a real gift for exploring the manner in which we constantly turn things over in our minds, crafting inner monologues both rich and relatable… a lively, compelling, and surprisingly empathetic and humane page-turner.” —The A.V. Club

"A page-turning thriller… Will haunt you long after this book is over.” —Bustle

“Hawkins constructs a bracing, knotty ride in which the ghosts of the past come back to haunt those living in the present.” –W Magazine

“Hawkins keeps you guessing until the final page.” —Real Simple

“Arresting… Hawkins is an ambitious writer, inclining to the literary end of the spectrum.”—Financial Times

“Into the Water" captures all the suspense and terrifying emotions of [The Girl on the Train], but it beams with a maturity in writing and in storytelling that will draw her fans right back over the edge... the novel also flows with an instinctual understanding of relationships, young love, devoted friendships and dedication to duty, familial faults and small-town paranoia." —Minneapolis Star-Tribune

“When it comes to tension you could cut with a knife, no one does it better than Hawkins.”—New York Post

“An elegantly written tale that grips readers like a mighty current, guiding and taking them downriver toward the inevitable rocky ending and breathtaking plot twist in the novel’s final pages.” —Deseret News

“Hawkins is a master of waging emotional warfare among her characters against a backdrop of murder. Into the Water is one to read with the lights on.”—SF Weekly
 
“Hawkins returns to the rotating-narration style of her breakout debut, giving voice to an even broader cast this time… Order by the ton.” —Booklist (starred review)

“Twisty and compulsive… Hawkins skillfully delves into the psyche of each character, extracting their feelings, fears and fallacies, slowly ramping up the psychological suspense as she goes.” —BookPage 

“The payoff packs a satisfying punch.” —Publishers Weekly

About the Author
Paula Hawkins is the author of the #1 New York Times bestseller The Girl on the Train, which was made into a major motion picture.

Excerpt. © Reprinted by permission. All rights reserved.
Why is it that I can recall so perfectly the things that happened to me when I was eight years old, and yet trying to remember whether or not I spoke to my colleagues about rescheduling a client assessment for next week is impossible? The things I want to remember I can’t, and the things I try so hard to forget just keep coming. The nearer I got to Beckford, the more undeniable it became, the past shooting out at me like sparrows from the hedgerow, startling and inescapable.
 
All that lushness, that unbelievable green, the bright acid yellow of the gorse on the hill, it burned into my brain and brought with it a newsreel of memories: Dad carrying me, squealing and squirming with delight, into the water when I was four or five years old; you jumping from the rocks into the river, climbing higher and higher each time. Picnics on the sandy bank by the pool, the taste of sunscreen on my tongue; catching fat brown fish in the sluggish, muddy water downstream from the Mill. You coming home with blood streaming down your leg after you misjudged one of those jumps, biting down on a tea towel while Dad cleaned the cut because you weren’t going to cry. Not in front of me. Mum, wearing a light-​blue sundress, barefoot in the kitchen making porridge for breakfast, the soles of her feet a dark rusty brown. Dad sitting on the riverbank, sketching. Later, when we were older, you in denim shorts with a bikini top under your T‑shirt, sneaking out late to meet a boy. Not just any boy, the boy. Mum, thinner and frailer, sleeping in the armchair in the living room; Dad disappearing on long walks with the vicar’s plump, pale, sun-​hatted wife. I remember a game of football. Hot sun on the water, all eyes on me; blinking back tears, blood on my thigh, laughter ringing in my ears. I can still hear it. And underneath it all, the sound of rushing water.
 
I was so deep into that water that I didn’t realize I’d arrived. I was there, in the heart of the town; it came on me suddenly as though I’d closed my eyes and been spirited to the place, and before I knew it I was driving slowly through narrow lanes lined with SUVs, a blur of rose stone at the edge of my vision, towards the church, towards the old bridge, careful now. I kept my eyes on the tarmac in front of me and tried not to look at the trees, at the river. Tried not to see, but couldn’t help it.
 
I pulled over to the side of the road and turned off the engine. I looked up. There were the trees and the stone steps, green with moss and treacherous after the rain. My entire body goose-fleshed. I remembered this: freezing rain beating the tarmac, flashing blue lights vying with lightning to illuminate the river and the sky, clouds of breath in front of panicked faces, and a little boy, ghost-​white and shaking, led up the steps to the road by a policewoman. She was clutching his hand and her eyes were wide and wild, her head twisting this way and that as she called out to someone. I can still feel what I felt that night, the terror and the fascination. I can still hear your words in my head: What would it be like? Can you imagine? To watch your mother die?
 
I looked away. I started the car and pulled back onto the road, drove over the bridge where the lane twists around. I watched for the turning— the first on the left? No, not that one, the second one. There it was, that old brown hulk of stone, the Mill House. A prickle over my skin, cold and damp, my heart beating dangerously fast, I steered the car through the open gate and into the driveway.
 
There was a man standing there, looking at his phone. A policeman in uniform. He stepped smartly towards the car and I wound down the window.
 
“I’m Jules,” I said. “Jules Abbott? I’m . . . her sister.”
 
“Oh.” He looked embarrassed. “Yes. Right. Of course. Look”— he glanced back at the house—“
there’s no one here at the moment. The girl. . . your niece . . . she’s out. I’m not exactly sure where. . .” He pulled the radio from his belt.
 
I opened the door and stepped out. “All right if I go into the house?” I asked. I was looking up at the open window, what used to be your old room. I could see you there still, sitting on the windowsill, feet dangling out. Dizzying.
 
The policeman looked uncertain. He turned away from me and said something quietly into his radio before turning back. “Yes, it’s all right. You can go in.”
 
I was blind walking up the steps, but I heard the water and I smelled the earth, the earth in the shadow of the house, underneath the trees, in the places untouched by sunlight, the acrid stink of rotting leaves, and the smell transported me back in time.
 
I pushed the front door open, half expecting to hear my mother’s voice calling out from the kitchen. Without thinking, I knew that I’d have to shift the door with my hip, at the point where it sticks against the floor. I stepped into the hallway and closed the door behind me, my eyes struggling to focus in the gloom; I shivered at the sudden cold.
 
In the kitchen, an oak table was pushed up under the window. The same one? It looked similar, but it couldn’t be; the place had changed hands too many times between then and now. I could find out for sure if I crawled underneath to search for the marks you and I left there, but just the thought of that made my pulse quicken.
 
I remember the way it got the sun in the morning, and how if you sat on the left-​hand side, facing the Aga, you got a view of the old bridge, perfectly framed. So beautiful, everyone remarked upon the view, but they didn’t really see. They never opened the window and leaned out, they never looked down at the wheel, rotting where it stood, they never looked past the sunlight playing on the water’s surface, they never saw what the water really was, greenish-​black and filled with living things and dying things.
 
Out of the kitchen, into the hall, past the stairs, deeper into the house. I came across it so suddenly it threw me, the enormous windows giving out onto the river— into the river, almost, as though if you opened them, water would pour in over the wide wooden window seat running along beneath.
 
I remember. All those summers, Mum and I sitting on that window seat, propped up on pillows, feet up, toes almost touching, books on our knees. A plate of snacks somewhere, although she never touched them.
 
I couldn’t look at it; it made me heartsick and desperate, seeing it again like that.
 
The plasterwork had been stripped back, exposing bare brick beneath, and the decor was all you: oriental carpets on the floor, heavy ebony furniture, big sofas and leather armchairs, and too many candles. And everywhere, the evidence of your obsessions: huge framed prints, Millais’s Ophelia, beautiful and serene, eyes and mouth open, flowers clutched in her hand. Blake’s Triple Hecate, Goya’s Witches’ Sabbath, his Drowning Dog. I hate that one most of all, the poor beast fighting to keep his head above a rising tide.
 
I could hear a phone ringing, and it seemed to come from beneath the house. I followed the sound through the living room and down some steps— I think there used to be a storeroom there, filled with junk. It flooded one year and everything was left coated in silt, as though the house were becoming part of the riverbed.
 
I stepped into what had become your studio. It was filled with camera equipment, screens, standard lamps and light boxes, a printer, papers and books and files piled up on the floor, filing cabinets ranged against the wall. And pictures, of course. Your photographs, covering every inch of the plaster. To the untrained eye, it might seem you were a fan of bridges: the Golden Gate, the Nanjing Yangtze River Bridge, the Prince Edward Viaduct. But look again. It’s not about the bridges, it’s not some love of these masterworks of engineering. Look again and you see it’s not just bridges, it’s Beachy Head, Aokigahara Forest, Preikestolen. The places where hopeless people go to end it all, cathedrals of despair.
 
Opposite the entrance, images of the Drowning Pool. Over and over and over, from every conceivable angle, every vantage point: pale and icy in winter, the cliff black and stark, or sparkling in the summer, an oasis, lush and green, or dull flinty grey with storm clouds overhead, over and over and over. The images blurred into one, a dizzying assault on the eye. I felt as though I were there, in that place, as though I were standing at the top of the cliff, looking down into the water, feeling that terrible thrill, the temptation of oblivion.
 
You loved the Mill House and the water and you were obsessed with those women, what they did and who they left behind. And now this. Honestly, Nel. Did you really take it that far?
 
 
 
Upstairs, I hesitated outside the master bedroom. My fingers on the door handle, I took a deep breath. I knew what they had told me but I also knew you, and I couldn’t believe them. I felt sure that when I opened the door, there you would be, tall and thin and not at all pleased to see me.
 
The room was empty. It had the feeling of a place just vacated, as though you’d just slipped out and run downstairs to make a cup of coffee. As though you’d be back any minute. I could still smell your perfume in the air, something rich and sweet and old-​fashioned, like one of the ones Mum used to wear, Opium or Yvresse.
 
“Nel?” I said your name softly, as if to conjure you up, like a devil. Silence answered me.
 
Farther down the hall was “my room”— the one I used to sleep in: the smallest in the house, as befits the youngest. It looked even smaller than I remembered, darker, sadder. It was empty save for a single, unmade bed, and it smelled of damp, like the earth. I never slept well in this room, I was never at ease. Not all that surprising, given how you liked to terrify me. Sitting on the other side of the wall, scratching at the plaster with your fingernails, painting symbols on the back of the door in blood-​red nail polish, writing the names of dead women in the condensation on the window. And then there were all those stories you told, of witches dragged to the water or desperate women flinging themselves from the cliffs to the rocks below, of a terrified little boy who hid in the wood and watched his mother jump to her death.
 
I don’t remember that. Of course I don’t. When I examine my memory of watching the little boy, it makes no sense: it is as disjointed as a dream. You whispering in my ear— that didn’t happen on some freezing night at the water. We were never here in winter anyway, there were no freezing nights at the water. I never saw a frightened child on the bridge in the middle of the night— what would I, a tiny child myself, have been doing there? No, it was a story you told, how the boy crouched amongst the trees and looked up and saw her, her face as pale as her nightdress in the moonlight; how he looked up and saw her flinging herself, arms spread like wings, into the silent air.
 
I don’t even know whether there really was a boy who saw his mother die, or whether you made the whole thing up.
 
I left my old room and turned to yours, the place that used to be yours, the place that, by the look of it, is now your daughter’s. A chaotic mess of clothes and books, a damp towel lying on the floor, dirty mugs on the bedside table, a fug of stale smoke in the air and the cloying smell of rotting lilies, wilting in a vase next to the window.
 
Without thinking, I began to tidy up. I straightened the bedding and hung the towel on the rail in the en suite. I was on my knees, retrieving a dirty plate from under the bed, when I heard your voice, a dagger in my chest.
 
“What the fuck do you think you’re doing?”
 
 
 
 
 
I scrabbled to my feet, a triumphant smile on my lips, because I knew it— I knew they were wrong, I knew you weren’t really gone. And there you stood in the doorway, telling me to get the fuck out of your room.
 
The smile died, because of course it wasn’t you at all, it was your daughter, who looks almost exactly like you did when you were a teenager. She stood in the doorway, hand on hip. “What are you doing?” she asked again.
 
“I’m sorry,” I said. “I’m Jules. We haven’t met, but I’m your aunt.”
 
“I didn’t ask who you were,” she said, looking at me as though I were stupid, “I asked what you were doing. What are you looking for?” Her eyes slid away from my face and she glanced over towards the bathroom door. Before I could answer, she said, “The police are downstairs,” and she stalked off down the corridor, long legs, lazy gait, flip-​flops slapping on the tiled floor.
 
I hurried after her.
 
“Lena,” I said, putting my hand on her arm. She yanked it away as though scalded, spinning round to glare at me. “I’m sorry.”
 
She dipped her eyes, her fingers massaging the place where I’d touched her. Her nails bore traces of old blue polish, her fingertips looked as though they belonged to a corpse. She nodded, not meeting my eye. “The police need to talk to you,” she said.
 
She’s not what I expected. I suppose I imagined a child, distraught, desperate for comfort. But she isn’t, of course, she’s not a child, she’s fifteen and almost grown, and as for seeking comfort— she didn’t seem to need it at all, or at least not from me. She is your daughter, after all.
 
 
The detectives were waiting in the kitchen, standing by the table, looking out towards the bridge. A tall man with a dusting of salt-​and-​pepper stubble on his face and a woman at his side, about a foot shorter than him.
 
The man stepped forward, his hand outstretched, pale grey eyes intent on my face. “Detective Inspector Sean Townsend,” he said. As he reached out, I noticed he had a slight tremor. His skin felt cold and papery against mine, as though it belonged to a much older man. “I’m very sorry for your loss.”
 
So strange, hearing those words. They said them yesterday, when they came to tell me. I’d almost said them myself to Lena, but now it felt different. Your loss. I wanted to tell them, she isn’t lost. She can’t be. You don’t know Nel, you don’t know what she’s like.
 
Detective Townsend was watching my face, waiting for me to say something. He towered over me, thin and sharp-​looking, as though if you got too close to him you might cut yourself. I was still looking at him when I realized that the woman was watching me, her face a study in sympathy.
 
“Detective Sergeant Erin Morgan,” she said. “I’m very sorry.” She had olive skin, dark eyes, blue-black
hair the colour of a crow’s wing. She wore it scraped back from her face, but curls had escaped at her temple and behind her ears, giving her a look of dishevelment.
 
“DS Morgan will be your liaison with the police,” Detective Townsend said. “She’ll keep you informed about where we are in the investigation.”
 
“There’s an investigation?” I asked dumbly.
 
The woman nodded and smiled and motioned for me to sit down at the kitchen table, which I did. The detectives sat opposite me. DI Townsend cast his eyes down and rubbed his right palm across his left wrist in quick, jerky motions: one, two, three.
 
DS Morgan was speaking to me, her calm and reassuring tone at odds with the words coming out of her mouth. “Your sister’s body was seen in the river by a man who was out walking his dogs early yesterday morning,” she said. A London accent, her voice soft as smoke. “Preliminary evidence suggests she’d been in the water just a few hours.” She glanced at the DI and back at me. “She was fully clothed, and her injuries were consistent with a fall from the cliff above the pool.”
 
“You think she fell?” I asked. I looked from the police detectives to Lena, who had followed me downstairs and was on the other side of the kitchen, leaning against the counter. Barefoot in black leggings, a grey vest stretched over sharp clavicles and tiny buds of breasts, she was ignoring us, as if this were normal, banal. As though it were an everyday occurrence. She clutched her phone in her right hand, scrolling down with her thumb, her left arm wrapped around her narrow body, her upper arm roughly the width of my wrist. A wide, sullen mouth, dark brows, dirty blond hair falling onto her face.
 
She must have felt me watching, because she raised her eyes to me and widened them for just a moment, so that I looked away. She spoke. “You don’t think she fell do you?” she said, her lip curling. “You know better than that.”

Most helpful customer reviews

36 of 37 people found the following review helpful.
The construction of this story is too heavy to allow ...
By Nicole
The construction of this story is too heavy to allow flow. The story is told through the visions of so many people that you loose what it is all about. Definitively no comparison to her earlier work.

26 of 28 people found the following review helpful.
Disappointing
By ashley s
I had really high hopes for this book since I've been seeing it raved about all over the internet lately. I did like Girl on the Train, so I decided to give this a try. I'm not sure if my expectations were too high, but I did NOT like this book. I've read a lot of books that are narrated by alternating characters, but this was ridiculous. At least 10 different characters back and forth back and forth, hard to keep up with. The entire book was just all over the place. The big "twist' of the book wasn't very shocking. Just overall disappointing.

15 of 16 people found the following review helpful.
too many plots to remember
By Kindle Customer
I appreciate a good mystery novel and some suspense and yes I read Girl on a Train. There is no comparison of these books. Into the water so so hard to follow I had to restart the book again and then half way I to it I was called to work for 18 hours so I decide to pick the book up and I had to go back a chapter every time to refresh where I was. This book was good but by far the hardest to follow for me. Definitely not a stay up all nighter can't wait to dive in type of story.

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Into the Water: A Novel, by Paula Hawkins PDF
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Jumat, 09 Mei 2014

[Q577.Ebook] Ebook Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross

Ebook Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross

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Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross

Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross



Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross

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Essential Elements for Ukulele - Method Book 1: Comprehensive Ukulele Method, by Marty Gross

(Essential Elements Ukulele). Playing the ukulele is an enjoyable, easy, and inexpensive way to get involved in music. It provides a way to learn musical concepts and skills that can apply to any instrument you decide to study. Moreover, it will give you a great opportunity to share the joy of making music with other people. This book will help to provide you with the basic skills and musical background you need to get started. This carefully crafted method emphasizes chord strumming skills; teaching students HOW to practice; note reading exercises; "chord challenges" to learn how to figure out chord progressions; tab reading; and more. It also includes nearly 30 familiar songs that students can play while still learning, including: All My Loving * Home on the Range * Hound Dog * Jambalaya (On the Bayou) * La Bamba * The Lion Sleeps Tonight * The Rainbow Connection * Take Me Out to the Ballgame * and more! Practice, experiment, and have fun playing the ukulele! Click here for a demo video from author Marty Gross.

  • Sales Rank: #11370 in Books
  • Brand: Hal Leonard
  • Model: 696552
  • Published on: 2014-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .18" w x 9.00" l, .40 pounds
  • Binding: Paperback
  • 48 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
From Skip to my Lou, to The Lion Sleeps Tonight to Jambalaya!
By Robert Chesney
Having played the uke for 2 years, I found this book to be a wonderful review. It even taught me some things I missed in those classes I took at the local university. The book is beautifully organized and offers a common sense step by step approach to improve any uke player's repertoire. I highly recommend it for the begiinner and entermediate player alike. How could you go wrong with a book that takes you from Skip to my Lou, to The Lion Sleeps Tonight to Jambalaya. What fun!

1 of 1 people found the following review helpful.
Will have you knowing the basics in no time
By holly finch
Easy to follow book that works through the basics at a great pace whether you know how to read music or if you have never okayed any other instrument in your life. The cd is a great reference and gives you an idea of what it should sound like when you play it. I have never played a stringed instrument and I was able to play most basic chords and scales after just a couple hours. My daughter is learning to play with me and she cannot read music and she is able to keep up with the book easily as well.

1 of 1 people found the following review helpful.
Good for learning to read western music notation
By Libera Posaune
This book is in line with the Essential Elements series in that it teaches students how to read Western music notation. The song selection is OK but fairly out of date for an instrument that is so contemporary. Good tips and technique; recommended for students who wish to learn with a teacher.

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Senin, 05 Mei 2014

[J530.Ebook] PDF Ebook Learning from a Disaster: Improving Nuclear Safety and Security after Fukushima, by Scott Sagan, Edward Blandford

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Learning from a Disaster: Improving Nuclear Safety and Security after Fukushima, by Scott Sagan, Edward Blandford

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Learning from a Disaster: Improving Nuclear Safety and Security after Fukushima, by Scott Sagan, Edward Blandford

This book—the culmination of a truly collaborative international and highly interdisciplinary effort—brings together Japanese and American political scientists, nuclear engineers, historians, and physicists to examine the Fukushima accident from a new and broad perspective.

It explains the complex interactions between nuclear safety risks (the causes and consequences of accidents) and nuclear security risks (the causes and consequences of sabotage or terrorist attacks), exposing the possible vulnerabilities all countries may have if they fail to learn from this accident.

The book further analyzes the lessons of Fukushima in comparative perspective, focusing on the politics of safety and emergency preparedness. It first compares the different policies and procedures adopted by various nuclear facilities in Japan and then discusses the lessons learned—and not learned—after major nuclear accidents and incidents in other countries in the past. The book's editors conclude that learning lessons across nations has proven to be very difficult, and they propose new policies to improve global learning after nuclear accidents or attacks.

  • Sales Rank: #2390726 in Books
  • Published on: 2016-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 232 pages

About the Author
Edward D. Blandford is Assistant Professor of Nuclear Engineering at the University of New Mexico. He was formerly a Stanton Nuclear Security Fellow at Stanford's Center for International Security and Cooperation. Scott D. Sagan is the Caroline S.G. Munro Professor of Political Science, the Mimi and Peter Haas University Fellow in Undergraduate Education, and Senior Fellow at CISAC and the Freeman Spogli Institute at Stanford University.

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