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The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop, by Jeff Schewe
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Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative is devoted exclusively to the topic and shows you how to make the most of that control to extract the best-possible raw rendering of your digital negatives and to use Photoshop to achieve the highest quality in your images. In this update of his best-selling book, renowned photographer and author Jeff Schewe outlines a foolproof process for working with these digital negatives and presents his real-world expertise on optimizing raw images. You’ll learn hands-on techniques for exposing and shooting for raw image capture and developing a raw processing workflow, as well as Photoshop techniques for perfecting the master image, converting color to black and white, and processing for panoramic and HDR images. This second edition covers all the major updates and new features in Camera Raw, Lightroom, and Photoshop, such as GPU acceleration, Radial Filters, Pano Merge, and more.
- Get the best tone and color from your digital negatives.
- Use Lightroom and Camera Raw sharpening controls to maximize image quality.
- Produce stunning black and white images.
- Learn how to remove people from photos in Photoshop using Smart Objects and Layer Blending.
- Use HDR in Camera Raw and Lightroom.
- And much more!
Visit the book’s companion website at TheDigitalNegativeBook.com for sample images and more.�
- Sales Rank: #329222 in eBooks
- Published on: 2015-08-29
- Released on: 2015-08-29
- Format: Kindle eBook
Review
"Jeff played host at his studio to some of the key meetings in Lightroom's early development. With The Digital Negative, he pulls together his years of bridging traditional photography and digital photography and shares it with the broader
photographic community."
–Mark Hamburg, Fellow, Adobe Systems, Inc.
About the Author
Jeff Schewe is an award winning professional advertising photographer and digital imaging pioneer. Based in Chicago, he teaches and leads workshops and is a member of the Photoshop Hall of Fame at Photoshop World. Jeff coauthored Real World Camera Raw with Adobe Photoshop CS5 and Real World Image Sharpening with Adobe Photoshop, Camera Raw, and Lightroom.
Most helpful customer reviews
17 of 17 people found the following review helpful.
In the Footsteps of Ansel Adams
By Conrad J. Obregon
Lightroom is one of the most popular pieces of software available for people who want to process their digital images. It has an easy-to-use interface. If you learn to use Lightroom from a book like Scott Kelby's "The Adobe Photoshop Lightroom CC Book for Digital Photographers (Voices That Matter)" you can improve the quality of your images in a short time. But if you really want to squeeze the most out of the software then you need a book like "The Digital Negative".
The Digital Negative deals with just the image processing functions of Lightroom and Camera Raw, the plug-in that comes with Photoshop, which shares a processing engine with Lightroom, although the interface is different. Schewe also covers some of the uses of Photoshop for photograph processing that are beyond the capabilities of Lightroom and Adobe Camera Raw.
After an introduction to Lightroom and Camera Raw processing, the author goes down the list of processing functions of the programs, covering the functions of each panel, usually in far more detail then one finds in an introductory book. (including the newest function, dehaze). Then he explains how he processes a variety of images, with his explanations of why he moved the sliders and buttons the way he did. Schewe then explains how he move images into Photoshop for the processing that can't be done in Lightroom and Camera Raw. The author finishes up with a discussion of his own workflows and even suggestions for speeding up the software functioning.
This is not a book for beginners. In fact, to get the most out of this book one ought to have some familiarity with the software discussed. The author's method is to present an image that requires processing and then to discuss what adjustments need to be made to enhance the image. Since he doesn't walk the reader through the image step by step, like Kelby, it is essential that one have familiarity with the panels and the results one can expect from moving a slider. But if one is familiar with the software, one can learn just how to use it to get more artful images. Schewe's language is as simple and understandable as one can expect for this more advanced topic.
The book doesn't provide downloadable images to use in tutorials, nor given the author's approach, is that necessary. Buried deep within the book (a sidebar on P.163), there is the address of a companion website where one can download a few of the images and examine the final images to see the settings Schewe actually used, but I didn't find this to be particularly helpful. Moreover it's just as well the author doesn't rely upon the reader being concerned with specific numerical settings because the screen shots of the panels required examination with a magnifying glass to see clearly.
I almost wish that Camera Raw had not been discussed, because of the dangers of confusing it with Lightroom, but Schewe does a good job of distinguishing them. He does show that there are some things that you can do with an image moved into Photoshop with Camera Raw that you can't do with Lightroom.
The Photoshop section deals with just a few tools to improve an image beyond Lightroom and Camera Raw. Some are pretty familiar, but the suggestions for selective sharpening may require several readings to comprehend.
Notwithstanding the blurb on the back cover, this is not a book for beginners. On the other hand, once you have a handle on Lightroom, Camera Raw, and for the fifth chapter, Photoshop, this book should help you to improve the quality of your images.
By the way, the great Ansel Adams wrote an influential book called "The Negative".
10 of 11 people found the following review helpful.
The Digital Negative - interesting & unusual
By Al Kunz
This book, The Digital Negative, is both interesting and unusual. It is interesting in that the author, Jeffe Schewe, creates a pseudo character, the Digital Image and then processes it in Adobe Lightroom and Photoshop. It is unusual in that this is the first time I have ever read about the developmental processes of Lightroom and Photoshop in the same book. I have read many books on Lightroom and many books on Photoshop. Yes, they may mention both programs in the same book but only in an incidental fashion. Here, the author describes in some detail the steps and progressions taken in each program to bring the main character, The Digital Negative, to its full realization as a well-developed photo.
Before getting into more detail, let’s look at the hard facts about the book. First, this is a second edition of this book updated to incorporate the latest developments in digital photography and its various programs. It is a soft cover book of 321 pages and measures 8 inches across by 9 inches tall. The suggested retail price is $49.99 however, at the time of this writing it was available on Amazon for $37.48. It also comes in a Kindle version. The Book Level rating is Beginning/Intermediate/Advanced. I have no problem with the latter two ratings but I would quibble with the Beginning rating. We will get into that shortly. The author, Jeff Schewe, is very well versed in digital photography and in both Lightroom and Photoshop having served as an early alpha tester for both.
As stated above, the Digital Image is the main character in this book. Schewe makes a strong case for creating all digital images using the raw format thus maximizing color capture. He describes in some technical detail all of the piece parts in a camera that are involved in capturing the digital image (one of the reasons for my quibble with the Beginning rating, too technical for a beginner). The balance of the book is devoted to processing the Digital Image, first in Lightroom and then in Photoshop. Lightroom is first treated fundamentally and then each of the developing processes in the program is examined more closely. Since many of the Lightroom processes also appear in Photoshop, that program skips the fundamental exposure and gets right into the developmental functions of Photoshop. During all of this, the author points out the similarities and differences between the programs. As I stated previously, this is the first time that I have read a book that does such an in-depth look at Lightroom and Photoshop in the same tome.
An interesting aspect of all of the Lightroom/Photoshop descriptions is the author’s asides about how these programs were initially developed and how they are very similar in some aspects and very different in others. These anecdotes stem from his early involvement in their development.
The book is well written. It is also well illustrated. It differs from other books on the subjects of Lightroom and Photoshop in that it does not provide a step-by-step detail such as you would find in Scott Kelby’s books. The prints of program screens are clear and readable. The final section of the book concerns creating an efficient workflow. The author presents some workflow principles and five work flow stages. He then weaves them into his personal workflow.
As stated previously, I have read a number of books on Lightroom and Photoshop. This is the first one that I have read that gave me so many comparisons between the two in the same book. I also very much enjoyed Schewe’s asides and info on the development of these programs. He has created a powerful argument for the use of the raw format in digital photography. It will cause me to do some experiments to decide if I want to employ it full time or not. It is that good a book that it has a hard-headed JPEG user like me wavering. If you are a dedicated digital photographer, this book is an investment well taken.
10 of 12 people found the following review helpful.
Highly recommended for editing raw files in ACR and LR.
By Darwin's Bulldog
Second edition of "The Digital Negative" updated for the latest 'CC' versions of Adobe Camera Raw (ACR) and Lightroom (LR). But perhaps not the very latest as updates are now released more frequently than the old 18 month cycle. I found two items that are in the current version of ACR that the author says are missing: making exposure adjustments using the histogram, and Shift + Double click to set individual sliders to their 'auto' position. Of course these are minor items and not particularly useful, in my opinion.
If you have read any of the older versions, including the first edition or the older ACR version entitled simply "Camera Raw", you will find much of the same material, including many of the same example images. So perhaps not so valuable for an experienced ACR or LR user. However, if you are new to either, you really can't beat the author's in-depth coverage of editing capabilities. Jeff Schewe is the top dog here!
Also keep in mind that this book emphasizes image adjustments and edits to raw files; it is not a comprehensive manual for LR, but comes close to comprehensive for ACR. (Martin Evening has a wonderful book on LR that does cover everything.) There are some details on using LR and Photoshop (PS) of course, as moving images into and out of these applications is almost always part of the work flow.
So 5 stars if you are a new user. The book's production values are high; full color through out and nice coated paper. (I have read several other PS/LR/ACR guide books that use paper akin to newsprint and have color images only bound into a small number of coated pages in the middle of the book.
Jeff has worked closely with Adobe for many, many years. He provides insight into why the software works the way it does, and why Adobe made decisions regarding the new licensing plans. These are very interesting although strictly speaking won't help you learn the workflow.
Highly recommended for those new to ACR/LR and adds coverage of new features for experienced users.
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